A Quiet Place

A quiet place

During his heyday, Alfred Hitchcock coined the term “the ice box scene,” which refers to a movie scene whose plot issues become apparent to the audience sometime after the fact.  A Quiet Place could be described as the ice box movie – thoroughly watchable in the moment, but logically wanting when given any serious thought.  Continue reading

Ready Player One

Ready Player One

Back in my college days, I read Ernest Cline’s Ready Player One – believe it or not – for a class.  It was a light, fast-paced read; the kind of book that’s hard to put down and easy to plow through.  But despite its fleeting pleasures, the moment I finished I could feel my inner critic starting to wake up.  The more thought I gave Ready Player One, the more cynical my attitude towards it became.  Could this collection of pop-culture references tacked onto a generic treasure-hunt plot even be called a novel?  These doubts grew so quickly that they completely tarnished my previous enjoyment of the book, and soon I felt duped for having bought into it in the first place. Continue reading

Annihilation

annihilation

Annihilation is a hard movie to categorize; not because defies genre categories, but because it samples so many of them.  Like the strange creatures that inhabit its world, it’s a hybrid; blending together science-fiction, drama, and horror to potent effect.  The structure of its first-act setup is pure adventure, beginning with the return of Lena’s (Natalie Portman) husband Kane (Oscar Isaac) long after he went missing on a classified government mission.  It’s immediately clear that something is very wrong with him, both physically and mentally.  When Lena tries to get her husband to the hospital, the government swoops in and abducts them both to a secret location, where they isolate her and reveal what’s responsible for his condition.  Continue reading