Flight (2012)

Flying High

Flight is a movie that peaks during its opening scenes, but what a peak it is.  Its first act plane-crash sequence is the movie’s clear peak, an edge-of-your-seat ten minutes that are both breathlessly thrilling and terrifyingly believable.  In the cockpit is Whip Whittaker (Denzel Washington), a seasoned airline pilot with a serious alcohol and drug addiction.  Coming off a night of heavy drinking and a morning of cocaine use, Whip’s seemingly routine morning flight from Orlando to Atlanta suffers a severe mechanical error.  Through a combination of Zen-like calm and sheer skill, Whip manages to land the plane in a field with only six lives lost.  Though hailed as a hero by the media, he’s too busy mourning the death of his flight attendant paramour to bask in the spotlight.

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13 Sins (2014)

13 sins

The Most Dangerous Game

Elliot Brindle (Mark Webber) is in a bad place.  Already riddled with debts and caring for his mentally disabled brother (Devon Graye), Elliot gets fired from his insurance sales job for not being cutthroat enough.  With a cranky father (Tom Bower) to house and a baby on the way, things don’t look good.  But just when he seems to be out of options, Elliot receives a mysterious call from an anonymous voice who knows all about Elliot’s financial struggles. Continue reading

Captain Marvel

captain marvel

Captain Obvious

The best thing about the release of Captain Marvel is that it brings us one step closer to the end of the nonsensical internet drama surrounding it.  I won’t be going into that here, chiefly out of self-preservation, but a quick Google search should inform the more masochistic among you.  I’ll offer just one thought on the matter: things as trivial as superhero movies have no business being cultural battlegrounds.  Consequently, this review will only cover my thoughts on the movie itself – not its “impact,” nor “what it means,” nor “why it matters.” Continue reading

The Wandering Earth

wandering earth

The Best-Laid Planets

Of all the cinematic trash I have a soft spot for, few genres are closer to my heart than the save-the-world disaster movie.  Give me your Armageddons, your Day After Tomorrows, your Cores; I cherish them all.  I suspect that’s because the genre is one that so readily lends itself to corniness; how can one be expected to tackle a premise as melodramatic as saving the world without, well, melodrama? Continue reading

Serenity

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All Wet

“There’s some weird stuff going on right now,” drawls Matthew McConaughey in Serenity.  He doesn’t know the half of it.  McConaughey plays Baker Dill, a fisherman on the picturesque, ambiguously-located Plymouth Island.  Baker spends his days taking lazy tourists for chartered fishing trips while obsessing over a particular tuna that has evaded him multiple times.  His first mate Duke (the always-charismatic Djimon Hounsou) worries about Baker’s deteriorating mental state, as well as the pair’s dwindling funds. Continue reading

The Prodigy

the-prodigy

That Boy Ain’t Right

Let’s face it: some kids are just creepy.  If they weren’t, the bad-seed trope wouldn’t be such a workhorse of a horror premise, still bearing fruit eons after its inception.  The fear of our own offspring turning against us is disturbing on a primal, universal level, unconfined to any one culture or time period.  Speaking more generally, the perversion of innocence has always been an upsetting prospect, and what could possibly be more innocent than a child?  Truth be told, there’s not much left to do with the creepy-kid genre, but while The Prodigy doesn’t reinvent the wheel, it delivers an uncommonly solid execution of the formula. Continue reading