Day of the Dad

As others have observed, the overall trend of Pixar’s releases has been a gradual decline in creativity, with the freshness of Toy Story giving way to the banal likes of Cars and Inside Out.  The conceit of Onward is on the trite end of the spectrum; its serviceable and shallow fantasy-creatures-meet-modern-technology setup feels like it could have come from any one of Hollywood’s anonymous computer animation factories. Continue reading →