Claws of Death
The Edge, much to my pleasure, is a hard movie to classify. It’s a survival adventure but not a survival adventure, a killer-animal flick and not a killer-animal flick, a two-hander yet not a two-hander. It skirts that rare line of mass entertainment and highbrow drama, chiefly thanks to David Mamet’s sly script, which never sacrifices smarts for action – or vice versa. Continue reading