I’ll get this out of the way first: I’m what you might call an “obsessive” fan of The Room.  I’ve seen it at least ten times, been to several screenings, read Greg Sestero’s book, and even met Tommy Wiseau in person.  So while I’m not exactly an objective judge of The Disaster Artist’s source material, in a way, I’m also especially qualified to write this review.  After all, The Disaster Artist is geared toward The Room’s cult following more than any other group, though its story of beating the odds has universal appeal. Continue reading →