#Alive

NEET of the Living Dead

One of #Alive’s most welcome assets is its knowledge that its audience has seen plenty of zombie movies, and thus doesn’t spend any more time than necessary before things go haywire.  The movie hits the ground running, only lasting a few minutes before the inevitable outbreak; just long enough for us to get a brass-tacks introduction to Oh Joon-woo (Ah-In Yoo), a twentysomething slacker living in his parents’ apartment.  Home by himself when the pandemic hits, he watches powerlessly from his fourth-floor Juliette balcony as sprinting, ravenous zombies devour the residents of his neighborhood.  Securely barricaded in the apartment, he tries to contact his family and find a way to get rescued.  But Joon-woo’s food and water are in short supply, putting an expiration date on his isolated haven.

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Overlord

overlord

Overlord, with its high-concept hook of Nazi zombies, itself practically a subgenre at this point, is the kind of movie that could have gone either way.  It’s easy to see how it could have been all concept and no execution, the kind of movie with little to offer besides a catchy gimmick at its center.  Thankfully it turns out to be anything but, taking its gonzo premise and running with it to create a perfectly satisfying slice of B-Movie cheese. Continue reading